At least one overhead light, two lights that can be used on the side! Lights placed at the same height of the product, while octagonal lights are generally used for overhead arrangements.įor studio lights, they must be scattered and softened before use. If you want more than a ring light, you’ll need an average of three softboxed lights. Plus, always-on lighting can help you figure out how to avoid reflections. E-commerce shots with a ring light or a steady light plus a softbox are best, seeing the final effect in real-time while setting up the scene, rather than using a continuous flash, taking a shot to see it, and having to keep adjusting it all the time. They are made up of many small “light emitting diodes” (LEDs) and usually have a long lifespan as well. LED lights are very energy efficient and produce very little heat. Inevitably, you can’t use it for a long time. If you adjust the brightness level, they can change the color temperature. Tungsten filament lamps provide the highest output power, but also generate a lot of heat. But their light can be tinted, adding an unwanted layer of color to your product. Bulbs are inexpensive and easy to replace. There are three main types of studio lights: fluorescent, LED, and tungsten.įluorescent lamps are more energy efficient, but have a lower light output, usually around 60 to 100 watts. Lighting can make or completely ruin your product photo shoot. In the first step of lighting, we should achieve more accurate colors. You won’t get shades like fluorescent blue or green or warm orange. True white light does not cause any kind of color cast. Often, such lights are referred to as “photographic-specific tint lights”. Make sure you are using bulbs and flashes that emit true white. But we still have a basic guideline to follow. On your phone, TV or laptop, the colors you observe may all be different. Customers will inevitably be disappointed if the products they receive do not match in terms of color.Įveryone’s screen has a different color calibration. Many customers buy products based on the colors shown in your product image. Accurate color is very important in any type of product photography. Otherwise, you will cry later.Īnother issue is making sure the color of the product stays true. You shouldn’t distract the viewer with reflections on your product! Watch carefully and think carefully! Be prepared to move the lights along multiple angles until you find the ideal spot to avoid reflections. Product glossy surfaces reflect ambient light in nasty ways, they can interfere with your lighting setup and cause shadows. Jewelry, metal, glass and other materials are difficult to take pictures directly. Many products in product photography are very reflective, with a batch of bright surfaces.
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